I did this 10" x 12" study last week, a little late for the Fast Deadline but before the next challenge comes out, which was my goal. I went for a realistic portrait of my little 6-year-old Cavalier King Charles Spaniel's head--something fun and fast to do for a first challenge in this rather intimidating group. The challenge was to use layers, perhaps trapunto (adding more batting under certain areas), to create depth, and the subject matter was to relate to the Animal Kingdom. I call this piece, "Logan: Queen of my Animal Kingdom.")
I began with trapunto: two extra layers of Warm & Natural under the nose, and one extra layer under the white muzzle area and the eyes. However, I was using Wonder Under instead of appliqué (fusing rather than sewing on the pieces to be FAST because this group's goal is to try to learn by working quickly, going for the learning through experimentation, rather than trying to make masterpieces). The fusing stiffens the top, so it made the trapunto somewhat less effective. After layering the pieces and doing some quilting, I did something new for me--I painted on the top with Jacquard Textile Paints to add some highlights, give some fur texture, and to put metallic turquoise sparkle highlights in the eyes. That was fun! Once quilted, I edged the piece with satin stitching. I'm glad to have participated, learned a few things, and now have gotten my feet wet!
Some questions this raised for me (besides how I'd rather be less trite and realistic), are: whether trapunto ever works well with fusing; whether the muzzle comes forward with a few contour lines of quilting, but not so many as to flatten that whole area; and what I could add to make the black of the eyeballs shinier. Also, I wonder whether working with a photograph distorts the outcome compared to what the eye and brain might register when looking directly at the subject. For example, the photograph I worked from was not head on, so the left and right sides of her face weren't as symmetrical as they are "live," and in the finished piece, perhaps the viewer gets the impression this is a straight-on view of a very lopsided face. Also, some of the areas that appear tan are actually white fur with shadows that reflected in the photo as tan (below her mouth and her neck), and that's not apparent in my finished piece. Photographing without getting edge distortion is another issue (this really is perfectly rectangular). Finally, I think this might be improved if I cropped an inch off the left, leaving a more rectangular format and leaving the left eye, etc., more to the viewer to complete.
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